A quest for improvement: my photo odyssey...

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I've been around a lot of years, and for most of them, I've enjoyed photography. My equipment has changed a LOT over the years.

In the beginning, there was my Donald Duck camera. I remember I made a photo of the first flag raising at my new grammar school with it. The print was tiny, and the camera had no adjustments whatsoever. The year was 1948. I wish I had a copy of that photo today; I'd donate it to the school. Alas, it and the camera are long gone.

In my high school years, I had an Ansco 120 box camera. Point and shoot. Hold it at waist level, look through the viewfinder (there were two, one for vertical and one for horizontal shots) and press the shutter lever. A camera that couldn't be more simple. I did get some shots of my high school sweetheart, who eventually asked me to marry her. I treasure those photos today.

My dad had, in the middle 1950s, purchased a Leica IIIf 35 mm camera. It was state of the art then. It had a focal plane shutter, a rangefinder for focus, and interchangeable lenses. He handed down his old Bolsey 35mm between-the-fixed-lens shuttered camera to me; it had a (then) wide-angle 35mm lens. It was usable. I had a cheap exposure meter which allowed me to man the controls and make some decent shots. I used it through college and when I was in the Army. Occasionally, dad would let me use his Leica. Here it is in all its glory:

LEICA_IIIF-1280_zps4b369435.jpg


The Leica was excellent and the lenses were Zeiss sharp. He used three - a 35mm, a 50mm, and a 135mm. During high school, I bought some used darkroom equipment, including an enlarger. Dad and I had fun setting everything up at night in mom's kitchen. She complained about the chemical smell and the chemicals in the refrigerator, but we managed to get some nice photo work done. I took a photography course in college, and a shot of my best buddy and beloved dog Rags with his head on my tennis shoe won me a prize in the local newspaper's photo contest.

RAGS2_zps798bf087.jpg


After the Army, I was too busy earning a living and raising a family to bother much with photo equipment; the old Bolsey sufficed. I now wish I had much better equipment when I visited Springfield Armory, Aberdeen Proving Grounds, Gettysburg, Valley Forge and Independence Hall. At any rate, I finally decided I needed a REAL camera - a 35mm single lens reflex. We were living in El Paso at the time (early '80s), and they had a sales special at K-Mart on the Pentax K1000 camera. This was an SLR with interchangeable lenses, needle-matching internal exposure meter, and plenty of exposure latitude. It was a beginner's SLR, but fully capable on a par with much more expensive cameras. I had some exotic lenses, but the old reliable 50 mm f/1.4 Pentax lens was a beauty and quite sharp. Here is that venerable camera:

PENTAX_K1000-1280_zps3ba19ad4.jpg


In the meantime, the digital revolution had begun, and it had a lot to recommend it over film. No more waiting for days while your shots were being developed, and finding out you had flubbed an important one. If you had a computer, you could download the pictures immediately, and if you wanted a print you could do it on your computer's color printer. This was heady stuff.

In 2005 I took the plunge with a little Kodak point-and-shoot digital. I think it took 4 megapixel pictures. It did work after a fashion, but then it went crazy and the electronics in it failed. I was used to an SLR, and went on a quest for a digital SLR.

I already had a plethora of Pentax lenses, and Pentax had a reputation for offering the most bang for the buck. In 2006, I checked around and decided that their K100D camera might suit my needs. It offered 6 megapixel photos, and was powered by AA batteries. That seemed to make sense - I would never be far from power for the camera. It came with an 18-55mm zoom, and I could use my legacy Pentax-compatible lenses. I took many shots with it, including many of my 90-plus year-old mother that I treasure today. When I moved up to a better camera, I passed it on to one of my granddaughters who was developing a talent for photography.

My next camera was a Pentax K200D - a 10 megapixel number with many advanced capabilities, also powered by AA batteries. I got it in late 2008. Here's a shot of it:

PENTAX_K200D-1280_zps1abd2d56.jpg


As I launched my retirement avocation/career as a free-lance gun writer, I wanted more quality and capability in a camera, and when the Pentax K-5 came along in late 2010, I was entranced. Here was a 16 MP camera with incredible features. Most of the pictures I've taken for posting here on this forum were with the K-5. It's powered by a rechargeable battery, or with an attachable battery grip, six AA batteries. Here's a pic of it:

PENTAX_K-5-1280_zps967ad05e.jpg


When my wife and I traveled to Hawaii for our 50th wedding anniversary, the K-5 and an 18-135mm zoom lens came along. I got some great shots.

In October of this year, Pentax announced the new K-3 24 MP camera. While most modern digital cameras have an anti-aliasing filter in front of the sensor, the downside is that the resulting pictures are not as sharp as they could be without the filter. This camera will let you shoot with or without an AA filter, selectable with the camera's software. This baby has all the bells and whistles, including an amazing 8-per-second repeat shot rate. I won't go into all the things it can do; Google it and see what you think. I personally think it's at the pinnacle of current digital technology. It's powered similarly to the K-5 and uses many of the same attachments. All Pentax DLSRs mentioned so far have body-based image stabilization and can use any Pentax K-mount lens ever made. Mine came in from B&H Photo by UPS on Nov. 13th. Here's a pic of my latest camera pride and joy - it should probably last me for the rest of my life:

PENTAX_K-3-1280_zps5f13c43a.jpg


From here on in, I'll be using the K-3. My post on the Krag rifle recently had pictures shot with the K3; I find them noticeably sharper than those from the K-5, and they can be blown up to nearly wall size if I want.

For all of that, I find DSLRs cumbersome to carry around to gatherings such as reunions and parties. For that purpose I'll have to admit I use a small point and shoot. This 10 MP Canon A1000IS serves the need; it can be slipped into a pocket easily, and I can post down-sized photos to my friends easily. This one actually has an optical viewfinder that you can look through; I don't have to be re-trained to hold it up and look at the backside display to frame my photos. By the way, I prefer Canon quality to Nikon. I bought my wife a Nikon point-and-shoot; it turned out to be clumsy to operate and adjust and had a habit of dumping its batteries on the ground - usually an unexpected surprise.

CANON_A1000IS-1280_zps32268a2c.jpg


Well, that's my photo equipment summary - hope you enjoyed the nostalgic trip. Incidentally, I have a Pentax photo album on-line here if you are interested:

PENTAX : PENTAX Photo Gallery artist page

John
 
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I congratulate you on having excellent photos of all your cameras. I must admit that I don't, it's even harder to admit that I don't have pics of all my cars.
 
Very nice John. I browsed through some of your pics and you definitely have the "eye" for a good photograph.

I am an amateur photographer. My first "real" camera was a Minolta XD-5. I still have it, but haven't used it in years. I now scratch away with a Nikon D5100. It seems to do all I want. I'm currently trying to learn how to accomplish flash photography. It's not as easy as it sounds.

This is currently my favorite pic:
FiredwithcasesnoSFw-vignettecorrected_zpsa54dcdcc.jpg


Every now and then the stars align and I can get a good one. I'm still learning how to do it on purpose though. ;)
 
Just visited your album. Some very nice photography there.

I always like photography also started very young back when you put your 120 film in a envelope and it had a pocket for the .89 cash in it. After the army where I purchased my first 35mm a Mamiya/Sekor 1000 DTL. I chose this because another fellow had one which went through several battles and came out fine with only dents in the prism cover.I went to Olympus in the mid 70's as a upgrade and still like Olympus. Good thing about digital is you can keep copies of all your photos on a memory stick and when your HDD crashes you still have them. And the color prints that finally fade can be reprinted. I've lost lots of memories from sun, heat, and moving. Still have the camera's but through divorce years ago lots of photo's have been lost.

Digital photography has come a long way.
 
I had a Pentax in the 70s, weren't they imported to the US under another name, Bell and Howell, or some other optics co? I did have a K1000 for years it was stolen overseas. I have it's replacement a Pentax ME Super in the closet with a couple of rolls of film, My grand kids will probably wonder whar that is?
Steve W
Honeywell-Pentax it hit me as soon as I clicked the post button
 
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I have a small collection of Kodiak Brownie cameras.
You can see how the camera "technology" slowly changed over the years.

I have 2 film cameras that I often use, both are Nikon 6006's. I use color film in the the one camera and black and white film in the other. Just never know when I might get lucky and have an "ansel adams" moment.
 
1960 started my camera quest when I bought a Petri SLR and 3 screw mount lenses while in the Navy. (A33, Yokosuka Japan). My next SLR was a Pentax ME Super and then a Nikon F3 with several lenses. After lugging the F3 outfit around Europe for awhile my one shoulder was lower than the other. (Did I mention that that low dispersion glass is heavy?)

Got back to the States just about the time Canon came out with the Elan7e and the 70 to 300mm stabilized lens (No tripod needed!) I was sold, shifted to Canon and started accumulating lenses(including several "L" series).
I then graduated to a new EOS3. Unfortunately shortly after buying the EOS3 I made the jump to digital with a Canon D60 DLSR. (My timing was the unfortunate part. I still have the EOS3 and probably didn't shoot more than 3 or 4 rolls of 35mm through it. It's now worth squat.)

About this time I also got into Medium and Large Format. I still have a Ikonta BX (Medium Format) and a Tachihara wooden 8x10 Field Camera.(~35lbs. with tripod, film holders and other bits.) I don't shoot either one anymore as I sold my darkroom when I went digital.

My latest jump is to the new Canon EOS M mirrorless. So far I'm quite impressed and can use all of my Canon lenses. (Although it does look silly with a 300mm f2L)
 
i used and collected Leica rangefinder cameras (M3, M4, M6) for years. Also had a few Nikon F's for long lens use. But now Kodachrome is gone and it is very difficult to find E-6 processing chemicals.

I bought a digital camera about a year ago but do not enjoy using it. They do not seem to require a high level of skill.
 
Very cool! I love seeing old cameras and am amazed at how photography has changed over the years. My family was always into photography. My dad had a Minolta SLR when I was growing up and we kids had a variety of non-SLR cameras. I never could take a picture where I didn't cut something off (lots of headless people!). I knew I'd be the one in the family guaranteed to not be a shutterbut no matter how much I wanted it.

One day, for HS graduation I was taking a trip for teens and the night before I got a crash course in using a SLR and was told I was to come back with pictures. I put the old Minolta in the bag and shot a few rolls over 10 days. Somehow the pictures came out and I've been hooked on SLR cameras ever since! I got my first ones not long after that trip. 2 Minolta SRT 101s (1 for color and 1 for black & white). They were old when I got them and I shot MANY rolls through those 2. They they started to die. I then tried a little Kodak digital point & shoot and discovered if the p&s had a screen preview instead of using the viewfinder then I was good.

Later, upon hearing my camera woes, 1 of my brothers (who is not only a shutterbug but collects cameras as well), surprised me with a Canon Rebel DSLR. I've been hooked ever since! That camera finally started to fade and I've upgraded to a Canon 5D Mark II. I'm working hard and keep dreaming of doing that camera justice. I've learned so much about photography since I got it and keeping hoping that some day I'll do that camera justice. My brothers both have Nikon DSLRs and it's pretty funny when holidays come around. No one will escape a lens being pointed at them!

I still have the old Minolta sRt 101s (3 actually). None work but I hate to just dump them. The old Kodak is still kicking despite being held together with Ductape. :p
 
I just got rid of my K1000 about 6 months back. It bothered my to donate it to good will but what good is it. Once Kodachrome got hard to find I pretty well quit shooting film and switched to digits. I sure miss the fun of getting my slides in the mail from Kodak but at the end of the day I am much better with my big Nikon then I ever was with the K1000. The Nikon allows me to experiment and pay with settings to get the shot right. I could not afford to do that with Kodachrome.

I sure miss the colors of Kodachrome 16 and Kodachrome 32. 64 seemed a bit harsh and I never liked the blues of Extachrome.
 
I always liked pictures, but when in the USAF and stationed in England the bug bit good. My first real camera was an Edixa rangefinder. F3.5 lens. Made acceptable pictures, but couldn't do what I wanted, so I got a new Edixa Mod D SLR in the BX. It was a (pentax) screw mount and soon I had a 35mm and a 135mm. That brought me to the photo hobby shop on base and I spent so much time there they offered me a part time job taking care of it and helping others. After being transferred to France, I ordered a Nikon F from the BX, then a 28mm lens and a 200 MM lens. Then a Rolleiflex with the f2.8 Planar lens. Talk about cutting a sharp image. Returning to the states, getting a new job, getting married, raising a family relegated my photography to birthday parties, vacations etc. Some years later I did become involved with a Photography club, and did join the Photographic Society of America. This involved mostly colored slides, or 11X14 to 16X20 B&W prints which were entered into local competitions and international Salons. I did have a few acceptances in the Salons and did compile a goodly stack of ribbons in local competitions. My equipment by then was a Nikon F2 with lenses from 28mm to 400mm. My favorite subjects were nature. I began collecting vintage camera's and still have over 30 of them sitting around gathering dust. Some I have used. In the 80's I drifted away to shooting sports, and the camera's were seldom used. When I got involved with the Forum I saw I needed to take pictures to post, and we were planning a big trip so I bought a Cannon 5mp Powershot S2 IS which is "sort of" a SLR, but not really. It does take pretty good photo's. I more recently bought a Cannon Powershot A1100 IS and it is 12.1 MP. I hate to admit I seldom use anything but the "auto" setting, which most of my photo's on the Forum have been taken with the last couple years. It has a good close up feature, but I'm always in too much of a hurry to drag the old Slick Tripod out of the closet and just handhold the camera.

Here's a couple shots of a few of my vintage camera's.


 
John, great essay and accompanying photos. Now my question is, what camera did you use to take the great photos of all of your cameras?
 
I started in photography in the mid-60's with a Beseler Topcon D1 35mm. In the 70's, I get a Canon AE-1. In the 90's I got a Fuji DSLR with a fixed zoom lens. I now use a Olympus E-500. I've got my eye on the Nikon 5200 24meg camera and hope to get it in the near future. While digging through a closet awhile ago, I found my camera bag with the Canon AE-1, a 28-80mm lens, a 80-200mm lens, a Vivitar flash, and some filters. Even had some rolls of B&W film from about 1988 when my son used it for his high school year book. Not sure what to do with it, or even if it is worth anything.
 
H Richard; One of your cameras looks like a Kodack Retina 2a. A friend had one of these, and he loved it. I used it a little and it was a good camera. When I came down on orders for Vietnam, I bought a used one from someone in the unit, and took it to the Funny Country. I took over 100 rolls of slides, mostly Kodachrome. Gave them to the Special Forces Museum at Ft Bragg. I had a little Leicameter, about one inch on a side and 1/2 inch thick. And I had a little flash that used the AG1B bulbs. All of it would fit in one of the pockets of my jungle fatigues. It taught me a lesson; I found that you take picures with what's in your pocket, not what's on the shelf in the closet because it's too clumsy to carry, no matter how modern it is (I've found this applies to carry pistols also).

All dinosaurs, now. The Retina 2A had a habit of breaking the winding mechanism; mine had the good taste to put this off until I had returned from Vietnam.
 
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John, great essay and accompanying photos. Now my question is, what camera did you use to take the great photos of all of your cameras?

I used the new K-3 to take pictures of all except that camera and the Leica. The shot of the K-3 was taken with the K-5, and the Leica was photographed some years ago with the Pentax K200D.

John
 
It's been a long and winding trail and it's not over yet. When I was a boy I had a little box camera; the body was plastic and probably the lens. It had only one control, a little metal stamping that was the shutter release. I didn't have much interest in it, but I did take one memorable picture. We were driving down the West Side Highway Express in New York City and I had my camera with me. When we passed the French Line pier I snapped a picture; the Normandie, lying on her side after the disastrous fire. i still have that print somewhere, wish I could find it.

I didn't even own a camera for quite a few years, then in the 1950s I began to to to sports car races with a friend: Thompson, Lime Rock, Bridghampton, Watkins Glen, some of them aren't even there anymore. He had a Retina 2a brought back from a Korean PX; I've mentioned it in a previous post to this string. He thought it was the cat's meow, but I realized I needed a much longer lens for those conditions; I bought a used Leica IIIc, which were fairly common in those days. It had a 50mm f2 Summitar, not a Summicron, and I added a 135mm Hektor, barn door lens shade and a sports finder: a metal gadget that fitted into the accessory shoe and had folding metal frames for the various focal lengths. It looked a lot like the one illustrated, a Leica IIIa, which has an f 3.5 Elmar. I added the little Leicameter and I was in business; it was a very usable rig.

The shutter on the Leica IIIc lasted almost a year before it went bust. At that time Leica would repair screw mount cameras and it took another six months to get it back from them. A year later it showed signs of going south again. As luck would have it, shortly before this, a friend had let me look through the viewfinder of a primitive SLR; I think i was a Pentacon, an East German camera. The ease of composition compared to the Leica's viewfinder was breath taking. I'd heard good things about the Miranda lenses so I wound up with a Miranda. It had automatic stop-down, and instant mirror return; really hi tech for the day. It served me well for many years before it, too, went belly-up. Leica had just come out with their first Leicaflex and I got one. In Vietnam I added a couple of lenses I got from Hong Kong, duty free. I used it hard for 15 years, and my son used it one semester for a photography class. He liked the attention a leica gave him. I had it in Alaska, but a friend had given me an old 828 Kodak Bantam: with that in one pocket of my field jacket, and the little Leicameter in the other I found I was taking more pictures with it than with the big SLR. The realization finally hit me: you take pictures with what's in your hand, not what's on the shelf at home. The corollary for firearms is that you go to war with what's in your fist, not what's left home in the gun safe. I think fo that when I'm considering a concealed carry piece.

In 1980, the Leicaflex finally went all to pieces likke the wonderful one horse shay. I looked at what was available from Leica, but the Canon offerings were about half the price and had greater capabiltiy; I got a Canon A1. Occasionally I do something right; that wonderful camera served me well for over 25 years in all sorts of situations, and were it not for the digital revolution, I'd be using it yet. A couple of years ago I took all the batteries out of the Canon rig, and put it up on a shelf: it was like putting down a beloved pet.

On a trip to New Zealand my friend told me to leave my camera home; I could use his digital; a little Sony. I was amazed; that thing would do most everything my camera bag of Canon stuff would do and it was about the size of a deck of cards. I got one, a Sony Cybershot. It's a great camera for vacations; it fits into a little belt case with a spare battery and memory chip in case I fill up this one. But it won't really do macro work, and has no black-and-white capability. As an aside, most camera battery chargers work from 110 volts to 250. In France, with their power at 240 volts, I had an adapter for their three hole sockets. I wondered if I were going to smoke test my charger, but when I plugged it, the battery charged right up.

I still haven't found the ideal digital; I need interchangable lenses, including a macro for gun work, and I need a black-and-white capability. I've been looking at the Canon D6 since I've had such good luck with the old A1. I dont really need everything ihe Canon D5 can do, but but I don't know whether the D6 ha a B/W capability. Any D6 users out there who can answer that question?

I guess I'm really garrulous this evening.
 

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Here's a gadget out of antiquity: a Geiss-Kontakt. It's for adding a sort of flash capability to the earlier Leicas that didn't have flash. I think the Leica IIIf was the first to have a built-in flash capability. As I remember it, the Geiss-Kontakt didn't work all that well. I think I used it with AG1B bulbs.

Leica did have flash attachment: it was about the size of the flash used on Speed Graphics, and was attached horizonally to a special baseplate that had some sort of contact with the shutter mechanism. I've never seen one, only pictures.
 

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Nice thread, John. I was raised by photography bugs, and had a B&W darkroom in the house. I remember that developing negatives in absolute darkness could be awkward. I loved watching the image appear on the paper while developing prints. I have a compact Canon, that's an older model than yours that I use now. My late father would be amazed by the modern technology of photography. He died in 1998, and never saw digital cameras. I need to get all his old cameras out and take a group picture of them before I start to sell them off.
 
I recognize the Retina. I learned to shoot pictures on a 2A and yes I shot on it until I wore the ratchet out. Loved the camera and only scrapped it about 6 months ago. Very compact for a film camera.

What is bad for all of us raised on Film is how the scanning technology has changed. I have tons of old slides and film I scanned (something like 100,000 images) but now that the technology has improved do I do it again? It took me years before to complete and I am not sure I am up to doing it again.
 
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