Makeup artist who spent seven hours a day applying the prosthetics for the 1980 film The Elephant Man
Article here.
Article here.
...Schneiderman, who has died aged 98, called the film "one of the hardest pictures I had to do". It took seven hours each day to put the makeup on Hurt, and another two to take it off again. "Everything was so precise," he said. "There were 14 pieces, not including the head, and they had to be applied exactly, every day for continuity. You couldn't afford to make a mistake."
...He moved into more film work with The Guns of Navarone (1961), I Could Go On Singing (1963), with Judy Garland and Dirk Bogarde, One Million Years BC (1966) and The Dirty Dozen (1967). Isadora (1968) was the first of several movies he made with Vanessa Redgrave, one of many actors who began to stipulate him as their preferred makeup artist.
After Fiddler on the Roof (1971), he acquired an agent and landed work on blockbusters such as Juggernaut (1974) and Rollerball (1975). For the TV film A Woman Called Golda (1982), he helped to turn Ingrid Bergman and Judy Davis into the older and younger Golda Meir respectively, cleverly creating continuity between the two performers....
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