Journey with me down camera memory lane...

Started with a Kodak Pony followed with a Kodak Retina.
Then went to Nikon F's with 35 mm, 50 mm, 85 mm, and 105 mm lenses
Then shifted to Leica rangefinders: M3, M4, M6, and M6J with 35 mm, 50 mm, and 90 mm Sumicron lenses.
Hate digital cameras.
 
I can remember a camera magazine calling those old K1000's the "volkswagen of SLR's" Mine took great pictures. One of my buddies and I did a photo shoot with my K1000 and his expensive Nikon. When we got the pics back mine were head and shoulders better than his. He was not a happy camper.
 
I shoot with a Nikon D7000. The thing that still cracks me up is remembering how I would fret over having enough rolls of film and trying to choke down the cost of extras at the tourist stops. Now, I have a 32 GB card that I have yet to fill on a vacation (I carry extras, just in case though!). Can get at least 1300 RAW files on a card, more than enough to keep the itchy shutter finger happy!
 
Had a Kodak Brownie hand-me-down from my mother as a kid.

In the USAF, in a BX, I bought a Zeiss Contessamat SE. It was a rangefinder camera, and I didn't know enough to get a SLR. But it had a superb lens and some of you have probably seen photos that I took with it. It was stolen off of a hotel restaurant table when I forgot to take it to the loo when I went. Had a roll of film in it taken during Elmer Keith's Dallas visit in the late 1970's. The photos included Keith shooting a .44 Magnum at a local range. Thankfully, the gun and camera store owner who sponsored his visit loaned me a Nikon to take some additional photos, with which I illustrated my articles for the Dallas Morning News and a gun magazine.

I am still bitter over the loss of that camera and wonder if the thief ever developed the film. He must have been surprised to see that old man shooting a big gun, big hat, too.

With it, I took many good photos of girls whom I dated. Alas, after I married, my wife found them and threw them out while I was at work. I was not happy. Thankfully, that marriage later ended. Divorce is often a real blessing. Mine was!

In college (Journalism student) , I was issued a double lens camera by Yashica. It was a copy of the German equivalent, I think by Rollei. It used 2.25X2.25 film, not 35mm. I got some good pics with it at the zoo, including some in the staff area in the reptile house. I sold some photos taken with it.
I used Tri-X film and developed some of it myself. I sold a photo of a mallard drake that I think I took with that camera. It was used on the cover of an outdoor/gun title. It's one of the pics of which I'm most proud.

My first good SLR was an Olympus OM-1n. I had only a 50 mm Macro lens, but it sufficed for what I was doing. I had to sell it when my ex let me have my daughter and we had to move, in part to get her in a safer school system. I replaced it with a new OM-1n. Later, a member of this board gave me an older OM-1. I have 50mm, 135mm, and a zoom lens to 250mm. I especially prize a squirrel photo taken in a tree with the 135mm lens in place.

And I bought a very nice used Nikon FG. Whoever owned it before me evidently used it carefully, if at all. Looks new. Basic 50mm 1:8 Nikon lens. I THINK the Olympus lens is a little sharper, but it's close.

Gun writer Don Zutz used Olympus cameras and told me that he felt their Zuiko lenses were superb. I agree.

I'm not a brilliant photographer. I bummed advice where I could. Gun writers like John Wootters and John Sundra and Don Zutz helped in brief conversations, some with Wootters more extended. Zutz exchanged letters for a time, too. I think he was probably the best writer yet on shotguns. Playboy' s David Chan gave me advice on lighting techniques as we stood in a line at the bank. And I bought some good books. Sid Latham's, "Camera Afield" and Wootters's books were especially valuable. John W. told me how he pushed Tri-X film far above its rating of 400 ISO to get a really good photo of a bobcat in fading light. He used it in several articles, I think. He was justly proud of that photo.

With the exception of Zutz and myself (Olympus OM series), all of the pros I met used either Nikon or Canon cameras. And I used my Nikon some. But every amateur I asked who had a Pentax liked it, and their lenses obviously peform well, as we've seen here in Paladin's photos.
 
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Started with a Kodak Pony followed with a Kodak Retina.
Then went to Nikon F's with 35 mm, 50 mm, 85 mm, and 105 mm lenses
Then shifted to Leica rangefinders: M3, M4, M6, and M6J with 35 mm, 50 mm, and 90 mm Sumicron lenses.
Hate digital cameras.

I started out with film. First an old Argus then a Honeywell Pentax, two Pentax ME Supers and a Mamiya RB medium format. Had my own darkroom too. Give me digital any day of the week, month or year. Besides being able to fit well over 1,000 shots on a SD card, electronic manipulation beats the snot out of darkroom manipulation a million times over. No toxic chemicals, no keeping paper and film in the freezer to keep it fresher longer, no film cost either buying or developing, and you don't even need to print the pictures to show them, you can email them to whoever you want, or post them on the web for free. I can't think of a single drawback to digital.
 
I've always been partial to Olympus OM series. Started with an OM-2 and added a OM-1 recently for fun. I am using a Olympus 4/3 mirrorless digital but would like an OM-1 in digital. Took some really good pics with the OM stuff over the years.
 
I haven't taken any photos since I retired several years ago, except with the iPhone.

What's the status of film availability? I saw above in this topic that the supply of Kodak chemicals for processing Kodachrome is exhausted. The camera stores I patronized have closed. My last batches of film were processed at a drug store. Does anyone still print film? Sell camera batteries? Are film cameras now totally obsolete, with no film still made or processed?

Is anyone still developing and printing other film types? Is film still sold? I was pretty satisfied with Fuji film when I couldn't find the sort of Kodak that I wanted. The feeling seemed to be that Kodak rendered some colors more faithfully, but Fuji was better with blues and vivid greens. It was therefore preferable for photographing some reptiles and birds.
 
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I was musing today how far I’ve come in photography since I first started taking pictures.

Just for reference, here is picture of my dad’s Leica. He occasionally let me use it – it was state of the art in the mid- to late 1950s. It had 3 interchangeable lenses, a “wide angle” 35mm, a standard 50mm, and a “telephoto” 135mm. It had a gizmo on the top that you could aim it with. It was adjustable for parallax and for the specific lens used. Leica lenses were then renowned for clarity – and they still are today. When my dad passed in 1987, I inherited this camera and had it refurbished, as the silk screen shutter had developed some holes.

LEICA_IIIF-1280_zps4b369435.jpg

John

That Leica is such a jewel, and even more special for having belonged to your father. A Leica in that condition would sell for at least $2K-$3K today. Do you still use it at all?

That 35mm lens...I can't see all the markings in the photo...is that the f/2.8 Sumaron?.

Those are all some great old cameras.

I'm pretty much all digital these days, myself, though I will still shoot some film on occasion, including some with my trusty Wista M100 4x5...but even my digital bodies date back to around 2001 or so.

 
I wish I still had much of my old gear. Some of it I don't recall the model names and numbers.

Dad had a Kodak Motormatic 35mm when I was a kid. I used it some when I first developed an interest in photography and still own it.

My sister received a Kodak Instamatic with the four cube rotating flash bulb. I used that camera some also.

The first camera I actually purchased was a Kodak Pocket Instamatic 40. That camera taught me the limitations of the 110 format.

Following my cousin's lead, and using his wife's J.C. Penney employee discount, I got a Nikkormat with a one standard prime lens and a telephoto.

I felt that I had finally hit the big leagues when I called B&H Photo in New York and purchased a Nikon FM2. I also purchased a 50mm, 1.2 lens.

Next was a Nikon F3hp, I used it a lot with 50mm 1.2 and a couple of longer prime lenses.

Next was a Nikonos IV. Another 35MM but a divers camera. The 35MM (I think) lens was the above water normal lens for the camera. I wasn't a diver but utilized the camera for rough weather and rafting trips.

Next came a Pentax 6 X 7, a 35mm SLR looking camera on steroids.

About this time my shooting partner and I were also doing a great deal of darkroom work. We started processing color when the first practical home darkroom color printing gear started to become available.

I then made the digital jump. My first a Nikon D90. Good camera, still quite a learning curve from film and a darkroom to digital and photoshop.

Next was a Nikon D750 which I replaced with a D800.

I own a Nikon D810 and use my D800 as a 2nd / backup camera. I considered switching to Canon along the way. Canon is reputed to have much better customer service than Nikon. Two things have kept me shooting Nikon equipment. First is the focus points in the viewfinder are illuminated by red led's in many Nikons but not in Canons until you get to the high end pro models. Second, Nikon's discontinued 70-180 micro zoom lens. It is a favorite of mine and I probably use it more than all my other glass put together.

Last but not least. I have finally started picking up the Hasselblad film gear that I always wanted but could not afford. It is priced reasonably now but i find I need to get most of the old lenses serviced after I buy them. Now I wish I hadn't given away my darkroom.

Regards.

Bob
 
That Leica is such a jewel, and even more special for having belonged to your father. A Leica in that condition would sell for at least $2K-$3K today. Do you still use it at all?

That 35mm lens...I can't see all the markings in the photo...is that the f/2.8 Sumaron?.

Yes, indeed it is. Since I've had the superb Pentax DSLRs, I don't shoot 35mm at all any more. However, the Leica is in perfect working order since I had it overhauled by a friend with press credentials at a specialty shop in San Francisco in 1988. It only needed the silk screen shutter replaced, but it came back tuned and lubricated properly. My friend has since passed away, but I was lucky that he was available to me. He once worked as an assistant to Ansel Adams and drove race cars. He was the best friend I never met; we communicated by e-mail and telephone. Great guy. I was sad to lose him. We traded fine Bourbon whiskey on our birthdays.

John
 
About 3 years ago I had a refrigerator about 1/3 full of film, most outdated, most 35mm, with some 120. Knowing I would probably never use it up, I was ready to trash it all. But at the last minute, I decided to list it on eBay. Surprisingly, I am sure I got somewhat more for it than I originally paid for it. There were even a few rolls of Kodachrome there, and it sold also. I thought Kodachrome processing ended about 5 years ago. I never used much Kodachrome, mainly the E-6 (like Ektachrome) which I could process myself. Kodachrome was very good for slides and movies as the colors faded little to none even after prolonged storage, not true of E-6 images.
 
My succession of cameras....

My sister gave me an 'Instamatic' back in the 1960s. I got hold of a box Brownie and took some shots with it. My first 'serious' camera was a Canon AE-1 and I really took off with it. Lot of B&W and slides as well as prints. I was in charge of the Olympus OM-1 and equipment at the company I worked for and made good use of it and all the accessories they had. They also had a few SX-70 types that I got rather creative with, with them paying for a a buck a shot instant pics (I used the 'old' film in stock, heh heh heh). My Dad gave him his old Polaroid Land camera from 1960 and I had great fun it until the film got scarce and expensive. (I sold it recently, but a group of enthusiasts has made film available again) It took VERY clear pics.

Then, I was out of photography for a while, but at work I had a succession of awful digitals cameras that ate up batteries FAST. I had some at home that were never satisfactory. I had a Nikon digital at home that I really liked but it was stolen, most likely to buy drugs. Since then I've been using my cell phone but have had the urge to get a 'decent' camera again.

One of my regrets is that I didn't do my own darkroom, but if I get a new digital, the computer will do about the same job. I've just been to busy with everything else and concentrating on guns as my hobby.
 
After buying my third set of SLR lenses when I updated my 35mm cameras, I have given up. Why Minolta didn't follow Pentax's lens practice, I don't know, they made great glass. I took lots of pictures when I ran my department's crime lab (a Canon EOS of some sort, great and rugged camera), maybe some of the subject matter soured me.

Now that I am going to sell a lot of my guns, I find myself in need of a digital. I got out my last Minolta 35mm autofocus SLR, ran a roll of Fuji film through it, had the developer at the last camera shop around here put it on a disc, and then threw up my hands trying to learn what I forgot about Photoshop.

Might be faster to get out a sketch pad and colored pencils.
 
My camera lifetime journey mirrors yours. However, around 1970 I purchased a Minolta Autopak. I traveled all over on my motorcycle and kept slide film in her. Perfect travel camera. Still have hundreds of slide stored and really need to convert them to digital. Maybe after I retire.




In 1977 I purchased a Yashica FX2. Wonderful camera. I used it until the digital age began. I handed it down to my youngest son and he used it in college for a Fine Arts degree in Photography. Sadly it was stolen after he graduated.

 
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