HOLSTER BEAUTY CONTEST?

This pair by S.D. Myres was reportedly made for an Abercrombie & Fitch sales representative. Even Colts deserve beautiful holsters.
Regards,
turnerriver
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I know I am revealing some ignorance here, but what Colt models are they?
 
Here's another which I don't see too often....

A holster and mag carrier in "Stingray" made by my brother-in-law for a Kimber Classic Custom (which I no longer have)....
 

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Viking

Now here is one that you don't see every day. This is a Viking, made in old Mexico. It is rather plain with just the basket weave pattern, but I think that it has old school class. The gun is a 2nd Model 44 with genuine jigged bone stocks.


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Contestant?

Here is one that I think shows beauty, through nice work. It depicts a Wild Boar's head, and is sued lined. I don't know what revolver it was made for, and I wish that I knew the maker. I shamefully modified it, by adding an adapter strap, so I can use it, with my S&W 6" Mod. 14, or 17.

Chubbo
 

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Simplicity

Here is a G. Lawrence holster, that derives it's beauty from it's sheer simplicity, and it's efficient design. It will nicely fit S&W 6" K models, and if one doesn't mind " fudging" a little, it will fit, Colt 4" round , or flat bbl. Woodsman, and Huntsman, etc.

Chubbo
 

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I'm late to the party. This one was commissioned for a Ruger Sheriff's model barrel length, image is by the customer (no guns here). It's made from an actual Brill pattern, shortened; the mould was shortened and had its ejector rod housing removed then reinstalled and returned to full length (the things one will do to make a customer completely happy). Simplified over the Brill by eliminating the muzzle lip and instead stitching the muzzle to the fender directly through the welt stitching itself. Recall that the cuff forms the lower half of the belt tunnel so despite it looking as if the holster carries vertically, it is at about 25 degrees 'positive'. Cuff is attached with teenuts vs the hand sewing of the original Brill by Rabensburg '32 to '55 (this is one of his patterns).


The 'carving' is instead entirely stamped; that is, no swivel knife was used to cut the basic outline.


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Nice Red, did you stack the welts like the original ? I'm still not sure why the welt at the muzzle of the Brills gets thicker. Thanks for all your efforts! Mark
 
Nice Red, did you stack the welts like the original ? I'm still not sure why the welt at the muzzle of the Brills gets thicker. Thanks for all your efforts! Mark

Nope :-)

Rabensburg (the one I exploded was a late-era Brill) went to so much trouble with the lip and the interlaid welts at the muzzle, that I must conclude/theorise/wonder if he didn't mean to take all the pressure off the muzzle end; which I can do, too, simply with wet moulding.

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