Extraordinary Engraved Pre-27 - with Provenance

You've really nailed the energy and motion of the S&W collector, rushing to his next acquisition. The subtle expression of barely contained joy at what he's found, I think is sublime. Obviously he's in such a hurry that he's blown every last hair off his head, which you have captured ... magnificently.

Bravo.

I almost fell out of my chair laughing. Glad I didn't read that tomorrow morning with a cup of coffee to spew on my computer!
 
You've really nailed the energy and motion of the S&W collector, rushing to his next acquisition. The subtle expression of barely contained joy at what he's found, I think is sublime. Obviously he's in such a hurry that he's blown every last hair off his head, which you have captured ... magnificently.

Bravo.
OMG AlHunt,
👍👍👍👍👍👍👍🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣
Larry

PS - I Love your signature line!!
 
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Just for curiosity, approximately how long does it take you to do a drawing like those if you are only working on it?

Not sure, as I’m really just doodling. But if I really concentrated, probably 1-3 hours, depending on the detail and when I decided to stop…
 
Thanks for sharing. Wow, yes I have looked upon many engraved guns in the past 40 years and I think this is the best looking one of them all. But then I am a fan of the German style of stippling, large scroll and large oak leaves. I do believe the finish is french gray, as that was also a favorite finish by the Germans for the engraved guns.
Many years ago, an old retired Major from the Air Force moved to my small town and I was called to his house to do work, and he showed me his gun collection, Years later, when his wife divorce him and he needed a place to live, I sold him a lot off my farm and he build a house and shop next door, where I spent many, many hours watching and learning gunsmithing, stock making etc. Jack had been in Wiesbaden in the 1950 and wanted to learn about guns, so he worked in the shop of Werner Schultz, master engraver on his off days, learning engraving. I have a couple of rifles by Jack, and he never really did anything outside of work for friends. I watch him engrave for many years and spent way too many hours talking engraving, guns and stockwork over a glass of fine Burbon. So every gun show or available opportunity in the past several decades that presented an opportunity to look upon engraving, I took the time to do a detailed inspection. Of course, the other styles of engraving do not interest me, Jack and his guns created this love for German big scrolls, stippling and Oak Leaves. It is like looking on a fine beautiful lady to these old eyes. You have in my opinion, one of the finest engraved guns on the face of the planet. Life like animals are what separates the good engravers from the masters of the art. Wow. what a gun!! Thanks Jack Bennett for teaching me how to stock a gun and creating a love for fine art placed on a firearm, may he rest in peace, he has been gone many years now and I miss the old gunsmith and drinking buddy.
 
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Beautiful revolver!

The Linds were acquaintances of my grandfather who lived in Springfield, MA. On one occasion, they shot together on my grandfather's recreational farm up in the Berkshires near Chester in the 30's or 40's. My mother was there and related the story to me proudly many decades ago. She was also a shooter who competed on her high school team.
 
Going to jump into this thread and ask for pics of the insides of the grip panels please. Fantastic closeups Richard. And Little Cooner how about more stories or pics, maybe in a separate thread. Great stuff here !!
 
Going to jump into this thread and ask for pics of the insides of the grip panels please.

Hey Keith, I posted these photos above in post 14... is there something else that you wanted to see? Or were you asking about some other grip panels? Let me know, and I'll try and take a few more photos. :)
 
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Keith:

The grips are pretty fat, like they were made for a man with large hands. One of these Symposiums, I'll bring this gun - perhaps as a one gun display. :) It is a fun one to look at with magnification.
 
I had my Optivisor with me and intended on setting down with your engraved guns for an up close look see. Engraving is best viewed in person and the symposium is the perfect venue. Next time !
 
Richard,
It was absolutely great seeing you again in Tulsa and if that wasn't enough, you spring not only this Excellent gun on us but also your own artwork which is stunning. I love the variety of North American game animals on the gun and grips which all look like they can just "jump" out of the gun at any moment. You and your guns continue to AMAZE all of us.
 
Closest thing I've ever seen to that quality of engraving was a Fabri shotgun that cost over $110K. Was told the engraver spent a year on that single shotgun. Betcha that revolver took close to the same amount of time. The work looked almost like a photograph when I was allowed to hold it in my hands.
 
Back in my high school years, when we were successful and did a good job in the machine shop my shop instructor would hold the work up to the light, rotate the part while closely studying it and if it past muster he would say;
"A thing of beauty is a joy forever"
 
Richard, amazing piece. I admire your talent, in drawing, in photographing, and in finding and sharing these beautiful pieces.

You should consider publishing a photographic journal of your engraved pieces. I'd wager it would rival Michael J. Kennelly's book.
 
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