Lead Guitarists! (Sense of humour required)

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So our club band was formed last year with an intention of being a working (gigging) band whenever possible. Since then we have played two outdoor gigs as part of multi performer days. One was in front of around 400 people, the second an audience of approx 1500.

Our first lead guitarist had "control" issues, wanting to dictate the direction of the band and take most of the lead vocals (we formed as four equal vocalists). He also developed health issues that saw him "resign" after about 6 months.

When I was in America last year the band had to recruit a fill in rhythm player for a club day, who became our new lead guitarist. But to prevent any issues with "fill in's" in the future we also recruited a second harmony/rhythm guitarist. Our main lead lives a good two hours away. The harmony/rhythm player is only 45 minutes drive away but he relies on his sister to bring him to practice sessions as he does not own a car. I should add here that the only guitar he "owns" is a much played (and worn) sub US$200 budget model, while not owning, but having access too, two small amps!

We have two good gigs coming up, one in less than two weeks. We have around 55 songs which most of us already know, but as anyone who has been in a band will know, some personal touches are added by musicians that do not exist on the "official" recordings. So we have been trying to schedule practice sessions to ensure we are all on the same page when it comes to playing the songs.

Our lead guitarist tells us he "works at two jobs so works seven days a week. He has to take time off for club days, so can't attend practice days", even though we are willing to travel to him to practice. (He also is a little "excitable" and can lose his temper at times, threatening to walk out if things don't go well "on the day"). He also never plays a song the same way twice. Sometimes he "extends" a lead break, other times he shortens it. He doesn't supply chord charts for his songs on club days, and often doesn't even communicate what he is singing, just starts and waits for the band to fall in behind him. He also has a tendency to only sing half a song then finish if he is "not in the mood".

Our harmony/rhythm guitarist attended one full days practice about a month ago. Today we had another full day practice arranged. He was keen to attend but last night his sister sent a text saying she didn't have enough gas to make the trip.

Both are "noodelers" between songs, and neither willing to wait for a count in from our drummer.

Sue, our bass player and musical director, is normally placid and even tempered, but when I spoke to her last night she was all fired up. She said we should keep the two for club days but find someone else for gigs outside the club. It is something we will need to thinks seriously about, especially as we have been asked to travel away as a group.

So after speaking to Sue last night I began to compose a recruitment notice for a regional musicians face book page:

***************************************************
Lead guitarist required.

"Local" established rhythm section (drums/bass/rhythm guitar) are seeking a local lead guitarist, preferably with some vocal abilities, to join us on our musical endeavours.

We play a mix of country/country rock/rock'n'roll/light rock with a smattering of bluesy R&B and a touch of reggae.

We play the music of The Eagles, The Mavericks, CCR, Elvis, Buddy Holly, Roy Orbison, Kenny Rogers, Bob Marley and others.

We are seeking someone who:

1. Has their own quality gear (guitar and amp) suitable for both indoor and outdoor gigs, and plays with minimal effects. Additional equipment such as music stand/mic stand/quality mic/and leads an advantage.

2. Must be a team player. Our philosophy is that we serve the music for the benefit of those who come to listen. We do not pander to individual egos. This means that you will be required to listen, consider and try out suggestions to change your music, not insist "this is the way you have always played it and always will play it".

3. Have the commitment necessary to attend one or two full practice days each month. These days run from 9:30 - 4:30 in out "local" rehearsal space with breaks for refreshment.

4. Must have a reliable vehicle, and the means to run it!

5. Must be able to supply quality charts of your music and commit to following the charts of your fellow band members.

t was a this point that I realised that such a lead guitarist does not exist and I was wasting my time even thinking about it further.

:D:D:D:D:D:D:D:D:D:D:D:D:D:D:D:D:D:D:D:D:D:D:D:D:D:D
 
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It's a band.
Egos are part of the package.
Flakes are part of the scene.
Staying together is a pipe dream.
Playing for drunks gets old fast.

I love playing music, but I could never recommend it as a profession.


Prescut
 
Having played in several bands, a couple recording bands, and even a brief stint as a studio musician, I'll toss in my two cents worth...even though it might not be worth that much.

First off, I'd tell your lead guitar player to "go pound sand." Life is too short to have to put up with some prima donna who's a Jimi Hendrix wannabe. Now, I don't know how it is in New Zealand, but even in my small little community, it isn't that hard to find some quality guitarists. You just need to advertise. And make it clear from the get go, that attending practice sessions is mandatory...and be on time. (That has always been one of my pet peeves. If you say practice starts at 6:00 p.m., you start at 6:00 p.m. whether or not everybody is there. You don't punish those who are considerate enough and professional enough to arrive on time.) Also, you need to make it clear that whoever you hire knows that he won't be the guy calling the shots. He does his bit, and that's it. That's what he's getting paid for. No more.

Second, and this isn't always the case, but it holds true an awful lot of the time...guys that are serious about playing music are serious enough to invest in good, quality equipment. If they've been playing long enough to be respectable, they would've been able to save enough to purchase some good gear. Oh, I'm sure there are exceptions, but you normally don't find musicians who are serious about their work playing a one hundred dollar guitar through a Sears pig nose amp. Sure, like the saying goes, "it's the Indian and not the arrow"...but any good craftsman usually tries to surround himself with good tools.

Just a side note...playing in a band helped put me through college...and even then, as a poor college student, I scrimped and saved until I got some good, quality gear.

Oh..and in regards to "noodlers." I'm thinking that you're meaning that they're clowning around on their instrument while the rest of the band is waiting to either start a new number or are trying to get something accomplished. To me, that screams "UNPROFESSIONAL!" You don't waste time with those bozos. Tell 'em to go join a garage band somewhere where they'll be happy and be with folks of their own caliber.

Now remember...I said that's just my two cents worth. I sure hope my pal Rusty chimes in here and helps out.
 
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For over 35 years wailing on wood and wire raised a family for me.

A successful axe wielder comes prepared. Lyrics learned, lines over rehearsed, gear in proper working order and an infectious effervescent attitude.

Do what's right for the room..in other words play to the crowd, give those who are paying you the product they have asked you for and have expected to see/hear and leave the stage with nothing left as you have given it your all.

It's not always about the gear. A pool shark can beat you with a mop handle.

 
Do what's right for the room..in other words play to the crowd, give those who are paying you the product they have asked you for and have expected to see/hear and leave the stage with nothing left as you have given it your all.

AMEN!!!Played in a band where one of the members wanted to play his favorite songs...which were never popular even when they were popular. Play to your audience.
 
When wearing my musician hat, I always leave room for the rest of the band or choir. I expected the same from them. When I would encounter a gatekeeper, it was often easy to demonstrate who really held the keys.
I remember a kid, perhaps all of 10 years old, in a music store playing some piece he made up.
He knew nothing of chords.
I had him play it again, analysing the underlying chords. Then I picked a guitar off of wall and accompanied him.
I'd rather have a band of kids like him than gatekeeping professionals
 
It's not always about the gear. A pool shark can beat you with a mop handle.

That is true...but, Rusty, from some of our conversations, I remember some of the axes you've owned in the past...and they sure weren't "mop handles" by anyone's standards. In fact, if I remember correctly, a couple of 'em could've financed college educations for all four of my children. Right?:D
 
Perhaps a bit foolish in retrospect. I've played live with some gear that were pretty much electronics projects.
Sure, I could build another... But if it let out the smoke at go time, there's no quick trip to the music shop for a replacement.

As I review kiwi's ad, including transportation, I can't help but think of a joke.
How do you get a bass player off your porch?
Pay him for the pizza
 
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Okay, inasmuch as venomballistics and Rusty started the ball rolling, I'll toss a couple in, too.

How can you tell if the stage is level?
Answer: Easy...the bass player is drooling out of both sides of his mouth. :D

What do you call a bass player whose girlfriend broke up with him?
Answer: Homeless. :D
 
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