M19-3 Grip Question …?

Here is an example of Kim Ahrends' dark rosewood, on the right. The pores are very noticeable. Then there is this S&W example of a light color cut of wood where the pores are less noticeable but they are, as always, present.
 

Attachments

  • IMG_1305.jpg
    IMG_1305.jpg
    154.6 KB · Views: 25
  • IMG_1268.jpg
    IMG_1268.jpg
    73.9 KB · Views: 27
  • IMG_1268 2.jpg
    IMG_1268 2.jpg
    48.8 KB · Views: 22
Here is an example of Kim Ahrends' dark rosewood, on the right. The pores are very noticeable. Then there is this S&W example of a light color cut of wood where the pores are less noticeable but they are, as always, present.

Very good example of obvious rosewood (Ahrends) and not so obvious (S&W). The S&W stocks are what has been referred to as Honduran Rosewood I believe, not Brazilian. We won't talk about Cocobolo or Pau Ferro.
 
Rosewood seems to vary a lot, especially with S&W stocks. Makers like Guy Hogue seemed to use very dark, porous rosewood which is easier to distinguish.

Here is what I ID as Rosewood (S&W K): Note the pores.

attachment.php


Here is what I ID as Goncalo (S&W N):

attachment.php
Wow! Noticeable difference. Thanks for posting the pic.
 
Back
Top