Here is an example of Kim Ahrends' dark rosewood, on the right. The pores are very noticeable. Then there is this S&W example of a light color cut of wood where the pores are less noticeable but they are, as always, present.
Here is an example of Kim Ahrends' dark rosewood, on the right. The pores are very noticeable. Then there is this S&W example of a light color cut of wood where the pores are less noticeable but they are, as always, present.
Wow! Noticeable difference. Thanks for posting the pic.Rosewood seems to vary a lot, especially with S&W stocks. Makers like Guy Hogue seemed to use very dark, porous rosewood which is easier to distinguish.
Here is what I ID as Rosewood (S&W K): Note the pores.
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Here is what I ID as Goncalo (S&W N):
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