Yesterday I decided to comparatively test a few lenses for my Pentax K3 DLSR camera, to determine which would be best for photographing long guns. Not that it mattered all that much technically, but I thought about which rifle in my collection would be the "poster child" for the experiment. I've got a lot of rifles, but after some thought I selected a Model 64 Winchester, made way back in 1936.
The rifle is a graceful beauty, a prime example of workmanship as it existed at the Winchester plant in New Haven in the pre-war years. All the parts mate perfectly, the action is slick, and most of all, the proportions of the rifle are quite photogenic. It just looks right and in my mind is as good eye candy as you will ever find in a rifle. The peep rear sight was a rare Redfield option from the factory. It's in .30-30 Winchester caliber, and has a 24" barrel.
At any rate, I determined that the sharpest and most distortion-free lens in my kit was the Pentax SMC-DA 35mm f/2.8 Macro Limited. Exposure was f/8, 1/10 sec., at ISO 100 for you photobugs. Unfortunately, I had to extend the center column on the tripod pretty high and get on a short stepladder to access the camera; 35mm is not exactly wide angle on an APS/C format. It actually equates to 52.8mm in a conventional 35mm film camera.
...and here's the picture of this gem, taken in the shade on my back patio:
Here are some period brochures for the Model 64, which is built on the time-honored Model 1894 action. This may give you some perspective on the gun.
Here is a page from the Winchester catalog of 1939:
And here is a catalog page from 1945:
At any rate, I was glad to narrow down my lens choice for future photo shoots, and to share with you my nomination for "most graceful rifle." Comments welcome.
John
The rifle is a graceful beauty, a prime example of workmanship as it existed at the Winchester plant in New Haven in the pre-war years. All the parts mate perfectly, the action is slick, and most of all, the proportions of the rifle are quite photogenic. It just looks right and in my mind is as good eye candy as you will ever find in a rifle. The peep rear sight was a rare Redfield option from the factory. It's in .30-30 Winchester caliber, and has a 24" barrel.
At any rate, I determined that the sharpest and most distortion-free lens in my kit was the Pentax SMC-DA 35mm f/2.8 Macro Limited. Exposure was f/8, 1/10 sec., at ISO 100 for you photobugs. Unfortunately, I had to extend the center column on the tripod pretty high and get on a short stepladder to access the camera; 35mm is not exactly wide angle on an APS/C format. It actually equates to 52.8mm in a conventional 35mm film camera.
...and here's the picture of this gem, taken in the shade on my back patio:

Here are some period brochures for the Model 64, which is built on the time-honored Model 1894 action. This may give you some perspective on the gun.
Here is a page from the Winchester catalog of 1939:

And here is a catalog page from 1945:

At any rate, I was glad to narrow down my lens choice for future photo shoots, and to share with you my nomination for "most graceful rifle." Comments welcome.
John
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