With the holidays I just didn't think about adding this here. She loved it, and this picture showed up the day that it was delivered.
I should have proofread my post, Eaglestroker, 'cause I meant to say that the holes in the cartridge loops were what was so cool even if you had seen it before and tried it yourself. The holster itself is a work of art; I'm really impressed! Thanks for the explanation on how you get the dark highlights in the basketweave; I never would have guessed that's how it's done.
As for looking real close to see an uneven burnish on the border -- I can't see that well! And I see pretty good!
I was stamping a holster tonight and thought about your post so here is a little critique on myself. Everyone does this different, I'm no pro, so this is worth what you paid for it.
Here we go: 3 basic tools for this set up. I grind in half a duplicate of my most used basket stamp for tight spaces it makes life easy. Start with a line and then move out, I prefer to start in the middle of a project.
At this point if your really good this will be a straight line. You can see that I'm not really good
In this picture you can see two things. Under the stamp is a light basket stamped corner, due to rocking the stamp. It's also not lined up perfectly or bounced when I hit it. Cheap stamps have more bounce than the high end maker stamps.
In these two you can see another twist, followed by a twist at the end of a line. These are easier to mess up but usually not as noticeable:
Now if your even better at this point your sequential stamps should form a straight line. You can see here I tracked to the right with each further stamp up, so I'm not good and definitely not better.
Here is a border stamp that fell out of line.
And one more stamp twist:
All those mistakes and you end up with this lousy looking finished product.
That's all I got. Annie didn't enjoy the process one bit.